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"alanr" <nomail@nomail> wrote:
> "Roman Reiner" <lim### [at] gmx de> wrote:
> > Radiosity!
>
> Yep - thats turned on as is Photons, but still no refelction of the light from
> the spotlight.
You need to add:
photons{
target
reflection on
}
to your reflecting object
-tgq
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"Trevor G Quayle" <Tin### [at] hotmailcom> wrote:
> "alanr" <nomail@nomail> wrote:
> > "Roman Reiner" <lim### [at] gmxde> wrote:
> > > Radiosity!
> >
> > Yep - thats turned on as is Photons, but still no refelction of the light from
> > the spotlight.
>
> You need to add:
>
> photons{
> target
> reflection on
> }
> to your reflecting object
>
> -tgq
In POV I checked the scene file last submitted by Moray and it contains that
very same piece in the cube declaration with the addition 1.0 on the target
line.
So I am really at a loss as to what to do next.
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"alanr" <nomail@nomail> wrote:
> So I am really at a loss as to what to do next.
Post a scene file so we can see what the underlying issue is...
Cheers,
Rob
-------------------------------------------------
www.McGregorFineArt.com
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On 22/02/2011 10:02 PM, Robert McGregor wrote:
> Post a scene file so we can see what the underlying issue is...
>
A volunteer is worth ten pressed men. :-P
--
Regards
Stephen
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On 2011-02-21 09:13, Warp wrote:
> alanr<nomail@nomail> wrote:
>> Yet all I get from POVs render is a chrome cube sitting on a chequered floor
>> casting the expected shadow, but no light is reflecting off the sides of the
>> cube lit by the spotlight. The cube reflects the image of the surrounding plane
>> just as you would expect a chrome cube to.
>
> Light reflecting from objects to other objects is a hard problem.
> POV-Ray implements the photon mapping algorithm for reflecting (and
> refracting) surfaces, which is probably what you are looking for.
> However, I'm not sure Moray supports this.
Are you wanting a visualisation of the beam of light in the space
between the cube and the floor, or just the effect on the surface? If
the latter, radiosity is sufficient. If the former, you need to add a
scattering media surrounding the scene. At this point, the light needs
its photons checkbox ticked, the cube needs to be the target, and the
floor needs collect set to 'on'. Past that is a lot of fiddly
trial-and-error.
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Tim Cook <z99### [at] gmailcom> wrote:
> Are you wanting a visualisation of the beam of light in the space
> between the cube and the floor, or just the effect on the surface? If
> the latter, radiosity is sufficient.
Radiosity only does diffuse reflection, not specular (ie. mirror)
reflection, which is what photon mapping does. I got the impression
that the original poster wanted the light to reflect from a reflective
(mirror-like) object.
--
- Warp
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On 2011-02-26 12:18, Warp wrote:
> Radiosity only does diffuse reflection, not specular (ie. mirror)
> reflection, which is what photon mapping does. I got the impression
> that the original poster wanted the light to reflect from a reflective
> (mirror-like) object.
I find myself confused as to the exact distinction between diffuse and
specular reflectivity. All objects are mirror-like and specular;
diffuse materials are just this reflection spread out according to the
unevenness of the surface texture. If you tune radiosity settings to a
count of one and a very low error bound you can see that this is what
radiosity is doing. The bright-spot shine of a specular highlight is
simply the result of a light source being so much brighter than
everything it's illuminating. Yes?
--
Tim Cook
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Tim Cook <z99### [at] gmailcom> wrote:
> I find myself confused as to the exact distinction between diffuse and
> specular reflectivity.
Both are approximations of how real-life surfaces reflect light.
(Dividing into pure diffuse and pure specular comes originally from the
Phong lighting model, which is what POV-Ray still uses. The division is
done because they are very easy to calculate and in conjunction they
produce a result that looks more or less realistic for many surfaces.)
Diffuse reflection reflects light to all directions. The weight
distribution of the reflected light is dependent only on the normal
vector of the surface (ie. the direction it's facing) but not on the
direction where the incoming light is coming from. (The direction of
the incoming light only affects how much of it is reflected, but not
its distribution.) This is the normal surface shading you get in POV-Ray
by default (when you don't specify any highlight finishes).
Radiosity (be it what POV-Ray calls as such, or the real scaline rendering
technique called "radiosity") only takes into account pure diffuse reflection
of light when it calculates how light reflected from surfaces illuminates
other surfaces.
Specular reflection is a pure 100% mirror reflection: Light is reflected
only in one direction (rather than all directions), this direction being
determined by the normal vector of the surface and the direction of the
incoming light. This is what you get when you specify a 'reflection' finish
on a surface.
Photon mapping only takes into account pure specular reflection (as well
as refraction) when it calculates how light reflected from a surface
illuminates other surfaces.
Specular reflection shouldn't be confused with specular highlighting,
which is something else completely. Specular highlights are a completely
independent surface shading technique (a rather simplistic one) which
aims to approximate what happens when a surface is not 100% diffuse, but
has some specular reflectivity to it. Most real-life surfaces are not
100% diffuse, and the distribution of reflected light is not uniform to
all directions, but has a dependence on the direction of the incoming
light. This means that more light is reflected to the specular direction
than to the other directions, causing visible highlights. The distribution
function for real-life surfaces tends to be quite complicated, and the
specular highlighting used in the Phong shading model is a really simplistic
approximation that gives ok results for many surfaces.
The Phong shading model (which is what POV-Ray uses) is a very simplistic
model and the approximation of real-life surface properties is, blatantly
put, quite crude (and many would say that nowadays antiquated). However,
it gives ok results in most situations and, most importantly, it's very
fast to calculate, which is its biggest advantage.
> The bright-spot shine of a specular highlight is
> simply the result of a light source being so much brighter than
> everything it's illuminating. Yes?
I think you are confusing the brightest part of diffuse reflection with
the brightest part of a specular highlight. They are not at the same place.
The former is at the point where the surface is directly facing the light
source (and it does not depend on the position of the camera), while the
latter is where the angle between the normal vector of the surface and
the light source is the same as the angle between the normal vector and
the camera (which means that the location of the highlight depends on the
location of the camera, and thus moves if the camera is moved).
Radiosity cannot produce specular highlights, only diffuse shading.
--
- Warp
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On 2011-02-27 03:03, Warp wrote:
> Specular reflection shouldn't be confused with specular highlighting,
> which is something else completely.
Ahhh ok, this is where most of my confusion on the matter was.
> I think you are confusing the brightest part of diffuse reflection with
> the brightest part of a specular highlight. They are not at the same place.
> The former is at the point where the surface is directly facing the light
> source (and it does not depend on the position of the camera), while the
> latter is where the angle between the normal vector of the surface and
> the light source is the same as the angle between the normal vector and
> the camera (which means that the location of the highlight depends on the
> location of the camera, and thus moves if the camera is moved).
...and this, which I'm finding hard to visualise, somehow. Rather, I
/can/, but understanding of what's happening in regards to
light/object/camera relative loci is escaping me. An animation would do
wonders (and not just for me, perhaps?)...
--
Tim Cook
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Tim Cook <z99### [at] gmailcom> wrote:
> > I think you are confusing the brightest part of diffuse reflection with
> > the brightest part of a specular highlight. They are not at the same place.
> > The former is at the point where the surface is directly facing the light
> > source (and it does not depend on the position of the camera), while the
> > latter is where the angle between the normal vector of the surface and
> > the light source is the same as the angle between the normal vector and
> > the camera (which means that the location of the highlight depends on the
> > location of the camera, and thus moves if the camera is moved).
> ...and this, which I'm finding hard to visualise, somehow. Rather, I
> /can/, but understanding of what's happening in regards to
> light/object/camera relative loci is escaping me. An animation would do
> wonders (and not just for me, perhaps?)...
You don't need an animation to visualize the difference. Consider the
following:
//----------------------------------------------------
camera { location -z*6.5 angle 25 look_at 0 }
light_source { y*100, 1 }
sphere
{ 0, 1
pigment { rgb <1, .5, .25> }
finish { specular 1 roughness .01 }
}
//----------------------------------------------------
The brightest part of the (diffusely illuminated) surface is at the very
top, because the light source is right above the sphere (and the camera is
on the z axis). However, the specular highlight is not at the top, but lower
(more precisely where the angle between the normal vector and the light
source is the same as with the camera).
--
- Warp
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