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What a long, strange trip...this started out in Blender with the MakeHuman
script, then to 3DS Max for mesh smoothing, noise, and poly-reduction (to
get each figure back under 64k triangles!), then through Rhino for camera
set-up and .POV output and, finally, to MLPOV for rendering with HDRI
lighting. Post-processing in Photoshop only to crop and adjust levels. Not
sure if I am done or not--very surprised by the "painterly" look coming out
of MLPOV.
Post a reply to this message
Attachments:
Download 'beasts_brush_lvls.jpg' (59 KB)
Preview of image 'beasts_brush_lvls.jpg'
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On Fri, 17 Jan 2003 14:20:18 -0600, Chad wrote:
> What a long, strange trip...this started out in Blender with the MakeHuman
> script, then to 3DS Max for mesh smoothing, noise, and poly-reduction (to
> get each figure back under 64k triangles!), then through Rhino for camera
> set-up and .POV output and, finally, to MLPOV for rendering with HDRI
> lighting. Post-processing in Photoshop only to crop and adjust levels. Not
> sure if I am done or not--very surprised by the "painterly" look coming out
> of MLPOV.
Very disturbing... I like it!
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This is awesome
"Chad" <ceb### [at] drury edu> wrote in message news:3e286557@news.povray.org...
> What a long, strange trip...this started out in Blender with the MakeHuman
> script, then to 3DS Max for mesh smoothing, noise, and poly-reduction (to
> get each figure back under 64k triangles!), then through Rhino for camera
> set-up and .POV output and, finally, to MLPOV for rendering with HDRI
> lighting. Post-processing in Photoshop only to crop and adjust levels.
Not
> sure if I am done or not--very surprised by the "painterly" look coming
out
> of MLPOV.
>
>
>
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Greg Edwards <edw### [at] hotmailcom> wrote in message
news:1d5eeh2fn8n1a$.27vmqfg5bgab$.dlg@40tude.net...
> On Fri, 17 Jan 2003 14:20:18 -0600, Chad wrote:
>
> > What a long, strange trip...this started out in Blender with the
MakeHuman
> > script, then to 3DS Max for mesh smoothing, noise, and poly-reduction
(to
> > get each figure back under 64k triangles!), then through Rhino for
camera
> > set-up and .POV output and, finally, to MLPOV for rendering with HDRI
> > lighting. Post-processing in Photoshop only to crop and adjust levels.
Not
> > sure if I am done or not--very surprised by the "painterly" look coming
out
> > of MLPOV.
>
> Very disturbing... I like it!
I agree, excellent image.
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It's them! The guys in the black raincoats who follow me with cameras and
meathooks!
Cheers!
Chip Shults
My robotics, space and CGI web page - http://home.cfl.rr.com/aichip
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Great!!!
Like it very much...
Robert
"Chad" <ceb### [at] druryedu> schrieb im Newsbeitrag
news:3e286557@news.povray.org...
> What a long, strange trip...this started out in Blender with the MakeHuman
> script, then to 3DS Max for mesh smoothing, noise, and poly-reduction (to
> get each figure back under 64k triangles!), then through Rhino for camera
> set-up and .POV output and, finally, to MLPOV for rendering with HDRI
> lighting. Post-processing in Photoshop only to crop and adjust levels.
Not
> sure if I am done or not--very surprised by the "painterly" look coming
out
> of MLPOV.
>
>
>
Post a reply to this message
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Chad wrote:
>
> What a long, strange trip...this started out in Blender with the MakeHuman
> script, then to 3DS Max for mesh smoothing, noise, and poly-reduction (to
> get each figure back under 64k triangles!), then through Rhino for camera
> set-up and .POV output and, finally, to MLPOV for rendering with HDRI
> lighting. Post-processing in Photoshop only to crop and adjust levels. Not
> sure if I am done or not--very surprised by the "painterly" look coming out
> of MLPOV.
>
> [Image]
Terrific accident!
Remco
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"Chad" <ceb### [at] druryedu> wrote in message
news:3e286557@news.povray.org...
That's a nice piece of art, I like it. A good learning curve through
that journey too.
~Steve~
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Chad, Very cool image. I like the painted look of the blue background and the
pattern you achieved to frame the figures.
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It's excellent, congrats!
Fernando
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