|
![](/i/fill.gif) |
Ive wrote:
> I assume that Vermeer would not have placed his easel in the darkest place of
> the room . . . What does this mean? Has Vermeer closed the window shades
> because he preferred this kind of lighting for the room even if this means
> his canvas was lit very poor? Or did he close the window shades, looked at
> the room, opened them to do some brush strokes, closed them again...
Actually, Vermeer was probably using a camera obscura, which means that he
was indeed sitting in the darkest part of the room. More info here:
http://www.grand-illusions.com/vermeer/vermeer1.htm
Post a reply to this message
|
![](/i/fill.gif) |