|
|
|
|
|
|
| |
| |
|
|
|
|
| |
| |
|
|
My mother worked as a charwomen since I was nine. After school I had to come to
remember from that times. Typical was an more or less eclectical accumulation of
expensive deco objects and valuable materials.
paintings ever made (from right to left Boecklin, Klimt, Daubigny, Gerome and
Vermeer).
The rug fringe on the right are about 650 sphere sweeps controlled by
neighboring pigments.
Stay healthy,
Norbert Kern
Post a reply to this message
|
|
| |
| |
|
|
|
|
| |
| |
|
|
hi,
"Norbert Kern" <nor### [at] t-onlinede> wrote:
> ... This image is ...
is missing. :-)
regards, jr.
Post a reply to this message
|
|
| |
| |
|
|
|
|
| |
| |
|
|
"jr" <cre### [at] gmailcom> wrote:
> hi,
>
> "Norbert Kern" <nor### [at] t-onlinede> wrote:
> > ... This image is ...
>
> is missing. :-)
>
>
> regards, jr.
Sorry!
Post a reply to this message
Attachments:
Download 'mice.jpg' (780 KB)
Preview of image 'mice.jpg'
|
|
| |
| |
|
|
|
|
| |
| |
|
|
WOW!
That is such a stunning render that I'm speechless.
The two elements that immediately stand out are the vase and the fabric
lampshades. Absolutely gorgeous.
You have a great memory for the decorative details of such a house-- and the
amazing ability to recreate them so realistically! I have a longstanding dream
of doing something similar regarding my grandmother's stately home in Asheville,
North Carolina (U.S.) Sadly, her home was torn down decades ago-- but my
childhood memories of the home's layout and interior decor have always stuck
with me.
Thanks for the beautiful image; it actually brings back a lot of happy memories
for me, in a roundabout way.
Post a reply to this message
|
|
| |
| |
|
|
|
|
| |
| |
|
|
I can't even begin to imagine how many test renders you had to make, to get to
this final result. I would probably be at the task for years :-O
Post a reply to this message
|
|
| |
| |
|
|
|
|
| |
| |
|
|
We are not expecting less from you, Norbert! What strikes me most are
not so much the objects (which are masterfull btw; some day you will
have to explain some of those details of metallic decorations) but the
ambient lighting that pervades the scene and gives it its unity as it
were. That is something I find difficult to achieve if at all.
--
Thomas
Post a reply to this message
|
|
| |
| |
|
|
|
|
| |
| |
|
|
hi,
"Norbert Kern" <nor### [at] t-onlinede> wrote:
> ...
agree with Kenneth, the image -- composition, textures, the lot -- is just ..
sumptuous. absolutely love it, am wowed by the carpet in particular. one
minor nit - rat != mouse. :-)
regards, jr.
Post a reply to this message
|
|
| |
| |
|
|
|
|
| |
| |
|
|
On 2/20/21 2:22 AM, Thomas de Groot wrote:
> We are not expecting less from you, Norbert! What strikes me most are
> not so much the objects (which are masterfull btw; some day you will
> have to explain some of those details of metallic decorations) but the
> ambient lighting that pervades the scene and gives it its unity as it
> were. That is something I find difficult to achieve if at all.
>
my thoughts exactly...
Post a reply to this message
|
|
| |
| |
|
|
|
|
| |
| |
|
|
Wow Norbert, this is such an amazing image!
The lighting and materials are brilliant and the composition so well thought
out. The harmony of colors is very pleasing and that vase really pops. Those are
some of my favorite paintings as well, I love how you worked them into the
scene.
The sphere sweep rug fringes are a great touch! The subtlety of the metallic
cavities and highlights are wonderful, especially notable in the owl and the
mirror frame!
Cheers,
Rob
Post a reply to this message
|
|
| |
| |
|
|
|
|
| |
| |
|
|
"Kenneth" <kdw### [at] gmailcom> wrote:
> The two elements that immediately stand out are the vase and the fabric
> lampshades. Absolutely gorgeous.
Thank you very much - in fact it is a combination of lighting and material,
because material definitions were simple - the lamp frame definition used good
maps for diffuse, nomal and transparency - but nothing I couldn't emulate with
pov patterns (or I hope so)...
The vase used a specularity map I made for the gold part (2 h work), the
material looked like that -
#declare p_map1=pigment {image_map{jpeg "brownvase__u1_v1.jpg" gamma 2.2
interpolate 2}}
#declare p_map2=normal {bump_map{jpeg "brownvase_normals.jpg" gamma 2.2
interpolate 2}}
#declare p_map3=pigment {image_map{png "brownvase__u1_v1_s" gamma 1 interpolate
2}}
//==================================================
//Material definitions
#declare brownvase_=
#declare PR_DIFFUSE=pigment{p_map1}
#declare F1 = finish {specular 0.6 roughness 0.0003 diffuse 0.6 ambient 0
reflection {0.005, 0.015}}
#declare F2 = finish {specular 1 roughness 0.0003 diffuse 0.1 ambient 0
reflection {0.4 metallic}}
#declare N1=normal{p_map2
bump_size 3
}
#declare T1=texture{
pigment{uv_mapping PR_DIFFUSE }
finish{F1}
normal{uv_mapping N1 }
}
#declare T2=texture{
pigment{uv_mapping PR_DIFFUSE }
finish{F2}
normal{uv_mapping N1 }
}
material{
texture{/*uv_mapping*/
pigment_pattern{uv_mapping p_map6 }
texture_map{
[0 T1]
[1 T2]
}}
}
- so if there is something good about this basic material - it comes from the
combination of lighting and material...
> You have a great memory for the decorative details of such a house-- and the
> amazing ability to recreate them so realistically! I have a longstanding dream
> of doing something similar regarding my grandmother's stately home in Asheville,
> North Carolina (U.S.) Sadly, her home was torn down decades ago-- but my
> childhood memories of the home's layout and interior decor have always stuck
> with me.
>
> Thanks for the beautiful image; it actually brings back a lot of happy memories
> for me, in a roundabout way.
Thank you for the compliment - I'm happy to give you some good feelings!
Norbert
Post a reply to this message
|
|
| |
| |
|
|
|
|
| |