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"Jim Charter" <jrc### [at] msn com> schreef in bericht
news:4793bed7$1@news.povray.org...
>
> For some reason the picture makes me think of this one:
> http://tinyurl.com/2cmtzx
>
> It's something about the mix of genre scene, wood planking and texture as
> a focus, steep foreshortening and backlighting for specular effect.
Ah, Caillebotte! Such a fascinating painter!
Interesting to observe how the strippers are doing their job: first
stripping the joints between planking, then the individual planks. This
might be dictated by the planks being not perfectly flat I assume...
Thomas
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Thomas de Groot wrote:
> "Jim Charter" <jrc### [at] msn com> schreef in bericht
> news:4793bed7$1@news.povray.org...
>
>>For some reason the picture makes me think of this one:
>>http://tinyurl.com/2cmtzx
>>
>>It's something about the mix of genre scene, wood planking and texture as
>>a focus, steep foreshortening and backlighting for specular effect.
>
>
> Ah, Caillebotte! Such a fascinating painter!
> Interesting to observe how the strippers are doing their job: first
> stripping the joints between planking, then the individual planks. This
> might be dictated by the planks being not perfectly flat I assume...
>
> Thomas
>
>
And perhaps the need for a separate tool? Caillebotte probably just
interested in the bold pattern created. It's a wonderful picture to
contemplate the potentials of the finish {} statement. I just realized,
it's genre interest is 'right down your alley,' isn't it!
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"Jim Charter" <jrc### [at] msn com> schreef in bericht
news:4794c1b4$1@news.povray.org...
> And perhaps the need for a separate tool? Caillebotte probably just
> interested in the bold pattern created. It's a wonderful picture to
> contemplate the potentials of the finish {} statement. I just realized,
> it's genre interest is 'right down your alley,' isn't it!
Absolutely right!
While Caillebotte was certainly interested in the pattern created, I am sure
that he also recorded faithfully the technique used. It was that which
probably triggered his inspiration for the painting in the first place.
Fascinating scene really.
Thomas
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