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This is the final version (for the time being).
Thomas
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Attachments:
Download 'The Painted Desert_07.jpg' (216 KB)
Preview of image 'The Painted Desert_07.jpg'
![The Painted Desert_07.jpg](/povray.binaries.images/attachment/%3C487de22c%40news.povray.org%3E/The%20Painted%20Desert_07.jpg?ttop=443866&toff=3150&preview=1)
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"Thomas de Groot" <t.d### [at] inter nlDOTnet> wrote:
> This is the final version (for the time being).
>
> Thomas
Nice scene. Has that guy been painting the rocks? I don't think he's finished ;)
That's a lot of paint.... Reminds me of the scene from THGTTG, where the guy is
painting Ayers Rock. A thankless job, I'm sure!
Sam
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Thomas de Groot wrote:
> This is the final version (for the time being).
It's an odd scene, Thomas, and is perhaps too easily dismissed based on
an initial response to the foreground. The foreground does not easily
map to common experience.
So you take a step back and say to yourself, "Let us suppose that that
is the point?" Now what do we have? We have a landscape whose terrain
is harsh and chaotic. It suggests the random turbulence of the sea, but
its heaving disorder is combined with unnatural, squared-off geomtries.
It is the worst of both worlds, neither organic, nor ordered. Worse
still, the strange, striated coloring, has nothing to do with either the
unnatural cubes or the pitching topography. Instead it records a third
and alien force involved. We are hardly surprised when we find a
creature, formed of these same strange molecules, planted forlorn in the
foreground.
But then there is the sky. The sky is the chaos we know. An
appreciation of the sublime celebrated in romantic brushstrokes for a
century or more. Yours is complex, a brilliant sheen of cloud vapor,
tufted and matted into hazy, imponderable layers, which mock the parched
surface. Yet the sky is the familiar which makes us believe the
unfamiliar. Or at least entertain its possibility, while an drifting
balloon travels beyond the such a desperate land.
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"Samuel Benge" <stb### [at] hotmail com> schreef in bericht
news:web.487e3afb356d30765c125a360@news.povray.org...
>
> Nice scene. Has that guy been painting the rocks? I don't think he's
> finished ;)
>
> That's a lot of paint.... Reminds me of the scene from THGTTG, where the
> guy is
> painting Ayers Rock. A thankless job, I'm sure!
>
Thanks Sam. Lots of paint indeed. Maybe the guy has been painting too. I
don't usually know what they are up to. However, the Master Painter is
sitting in the balloon and the guy here has been a bit unlucky...
Thomas
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"Jim Charter" <jrc### [at] msn com> schreef in bericht
news:487e7278$1@news.povray.org...
>
> It's an odd scene, Thomas, and is perhaps too easily dismissed based on an
> initial response to the foreground. The foreground does not easily map to
> common experience.
>
> So you take a step back and say to yourself, "Let us suppose that that is
> the point?" Now what do we have? We have a landscape whose terrain is
> harsh and chaotic. It suggests the random turbulence of the sea, but its
> heaving disorder is combined with unnatural, squared-off geomtries. It is
> the worst of both worlds, neither organic, nor ordered. Worse still, the
> strange, striated coloring, has nothing to do with either the unnatural
> cubes or the pitching topography. Instead it records a third and alien
> force involved. We are hardly surprised when we find a creature, formed
> of these same strange molecules, planted forlorn in the foreground.
>
> But then there is the sky. The sky is the chaos we know. An appreciation
> of the sublime celebrated in romantic brushstrokes for a century or more.
> Yours is complex, a brilliant sheen of cloud vapor, tufted and matted into
> hazy, imponderable layers, which mock the parched surface. Yet the sky is
> the familiar which makes us believe the unfamiliar. Or at least entertain
> its possibility, while an drifting balloon travels beyond the such a
> desperate land.
Thank you indeed, Jim. Your analysis is very to the point and relates quite
faithfully what has been unconsciously going on in my mind during the whole
process of creation. This is one of those images that has been triggered by
chance, and I feel those are not the worst ones, compared to more "planned"
scenes.
In the final stages I have been "kept" on the right track by several members
of the French POV community. So, I acknowledge here their unrelenting
criticism :-)
Thomas
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Thomas de Groot wrote:
> This is the final version (for the time being).
>
> Thomas
I like it :)
...Chambers
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"Chambers" <ben### [at] pacificwebguy com> schreef in bericht
news:487efaa8@news.povray.org...
>
> I like it :)
>
Thanks! Don't go there without a raincoat! Or should I say a paintcoat ;-)
Thomas
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"Thomas de Groot" <t.d### [at] inter nlDOTnet> wrote:
> This is the final version (for the time being).
>
> Thomas
I like this one, Thomas. It kinda grew on me. The rocks have great shapes. I
like the way the guy's clothing is checkered, kinda like the rocks, and also
painted like the rocks. I guess the Master Painter gets a little thrill when he
gets to paint something besides rocks. ;-)
Janet
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"Janet" <par### [at] att net> schreef in bericht
news:web.487fcad8356d3076eefd1d6d0@news.povray.org...
>
> I like this one, Thomas. It kinda grew on me. The rocks have great shapes.
> I
> like the way the guy's clothing is checkered, kinda like the rocks, and
> also
> painted like the rocks. I guess the Master Painter gets a little thrill
> when he
> gets to paint something besides rocks. ;-)
>
Thank you indeed, Janet. I used the guy from the first TINA CHEP competition
again, as he seemed to be familiar with the landscape :-)
Yes, I suspect the Master Painter has an evil side to his personality...
Thomas
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