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"Mike Hough" <Ama### [at] aol com> wrote in message
news:3b7c43b3@news.povray.org...
> > Seriously, is there any chance of you posting the source code for
the
> > water ?
>
> Posted to p.t.s-f
>
Cheers.
> It's pretty much a box with a bumpy texture on top and photons.
>
Oh, yes, I see, ah, and fog... Ooh, and 'clock' - does it animate well ?
Ach, I'll find out for myself...
--
Scott Hill.
Software Engineer.
E-Mail : sco### [at] innocentcom
Pandora's Box : http://www.pandora-software.com
*Everything in this message/post is purely IMHO and no-one-else's*
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You bass-tar...! <faint> <awake> How dare you be so good?! Tell us more...
:)
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"Bob H." wrote:
snip...
> That's excellent. I'm thinking it's missing something in the texture
snip...
The fishes scales.
Ken Matassa
--
+-----------------------------------------+
| If I can't see it, it can't get me! |
+-----------------------------------------+
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> > That's excellent. I'm thinking it's missing something in the texture
> snip...
>
> The fishes scales.
>
> Ken Matassa
>
Trout & Salmon have scales that really don't show up like other fish ...
it's much more like skin and very smooth, esp on a small fish and they
certainly aren't visible like on other species and very difficult to see
when in the water.
This render looks very realistic to me . . . outstanding.
--
Y
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"Tony[B]" <ben### [at] catholicorg> wrote in message
news:3b7c5f48@news.povray.org...
[snip]
OH Yeah. Hey everybody break out the tartare sauce and gather round...go on
dont be shy... gather round.
Marc
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Oh urg, and here I was about to go aghast at my
switching over to AM for my animation with your trout
here and I see you used AM as well... hehe... Well,
back to BPMF for me...
BTW: Beautiful texturing job on the trout.
-peter
--
http://www.users.qwest.net/~dearmad
Why bother? I'm not interesting.
But... maybe "Ballet pour ma fille" will be.
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"Tony[B]" wrote:
>
> You bass-tar...! <faint> <awake> How dare you be so good?! Tell us more...
> :)
For a modeling tool that is fantastic for organic
shapes such as this (and indeed used for this one)
check out: http://www.hash.com You'll find that a fish
shape like this is something you can do in about ten
minutes- the TEXTURING OTOH is where the real work
lies...
-peter
--
http://www.users.qwest.net/~dearmad
Why bother? I'm not interesting.
But... maybe "Ballet pour ma fille" will be.
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It took longer than 10 minutes to model. It took some time to work in the
details around the mouth and gills. It's like that with AM, you can get the
general look down real fast but making it look real from all angles takes
another hour or two at least.
-Mike
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Cool. The caustics really help to sort of bring it to life.
--
David Fontaine <dav### [at] faricynet> ICQ 55354965
My raytracing gallery: http://davidf.faricy.net/
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I just meant that having had my share of POLYRAY and
POVray experience and now switching to AM for the bulk
of my work (play) I wouldn't want to approach modeling
that trout casually in POV the same way I would in AM-
especially if I intended to animate it. <sweat breaking
out with just the thought>
-peter
Mike Hough wrote:
>
> It took longer than 10 minutes to model. It took some time to work in the
> details around the mouth and gills. It's like that with AM, you can get the
> general look down real fast but making it look real from all angles takes
> another hour or two at least.
>
> -Mike
--
http://www.users.qwest.net/~dearmad
Why bother? I'm not interesting.
But... maybe "Ballet pour ma fille" will be.
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