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"Thomas de Groot" <t.d### [at] inter nl net> wrote in message
news:43904369@news.povray.org...
>
> Yes, I like this better too. Now you might experiment with the crucifixion
> shadow on a higher level, against the wall... But maybe that would become
> to
> explicite.
Hmmmm... Interesting thought, but I'll probably keep it where it is in this
image. What I really didn't want to do was "beat you over the head" with
the cross/crucifix. In fact, if the majority of viewers never noticed it,
that would be fine. I often like putting things in my scenes so that if
someone stares at it for 5 minutes, they may eventually exclaim, "Hey! Did
you see this?"
I _may_ create other versions, or other Shaker scenes. I suppose it largely
depends on how long my interest holds, among other things. I've also
thought it would be neat to produce (I don't know what it's called) a series
of 3 pictures: the large central image, with the two smaller (tall) pictures
on the side. But I do not see this scene working well that way. It would
likely be a new scene.
> There is an interesting *conflict* as it were, between the horizontal
> shelf(?) and the projection of the window. As if spirituality was breaking
> through down to earth materialism...
> The shelf thing, is that where Shakers hung their furniture in order to
> clean the floor? I have seen photographs were that was higher up the
> wall...
>
Last night, I looked over my Shaker books again. Most rooms had the
peg-board at about 6 feet up the wall, and some rooms also had the lower
"dado rail" (it's a new term for me), which apparently is there to prevent
the back of the chairs (or other furniture) from banging against the wall.
As such, mine appears to be a little too high to be realistic.
I experimented with changing the height of the rail last night. Also, the
highest point of the wall that is visible is only around 5 feet high, so the
pegboard could not be seen (if it existed).
Thank you for all of your input. I really appreciate it. I'm learning.
:-)
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