This is very impressive indeed. The height-field looks really nice, and
using radiosity lighting in this way picks out the detail in a way thats
usually very difficult when photographing carvings like this in real life,
because theres almost always some strong directional light from somewhere.

How did you do the pigments of the texture, such as the white blotches? Are
these an image map or procedural textures?

-Chris

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