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As Bill said:
"I don't have Poser 4, but having tried out 3, I assume that you have to
move the shoulder and other parts of the body to make more natural
movements."
I agree with him here. In Poser 3 I wanted to do a similar pose some time ago.
You have to rotate the shoulders up as well. Try and move your own arm up
vertically in real life without moving your shoulder and you'll see for
yourself.
--
- Nekar
http://nekar_xenos.tripod.com/metanoia/
"Timothy R. Cook" <tim### [at] scifi-fantasy com> wrote in message
news:3C023F30.A735E391@scifi-fantasy.com...
> Bill DeWitt wrote:
> > You seem to be talking about animation, since
> > this is a still image group I didn't expect that.
>
> No, I'm talking about still images. In order to
> make pose Z which is somewhere between poses A
> and B, you can either stretch they daylights out
> of pose A, or you can average the datasets of A
> and B.
>
> > Realism in movement probably takes tedium and
> > skill, realism in static poses takes texture
> > mapping and Giles can probably help you with that.
>
> Texture mapping? Look at the attached image. I
> don't care WHAT texture you slap on it, it's not
> going to look right; the geometry is flat out
> wrong.
>
> (Realism in movement takes a few hundred thousand
> dollars to afford a motion capture system, then
> the know-how to clean up the end data...unless
> you have a lot of time on your hands and really
> detailed knowledge of anatomy)
> --
> Tim Cook
> http://empyrean.scifi-fantasy.com
>
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