Andrew Wilcox wrote:
> I don't know, I like the mouthless bear.  A mouthless bear is better than a
> frowning bear.
> 
> I think the wood grains are in the wrong direction tho, usually the cut the
> lumber along the grains not against.  Those would have to come from some
> super big trees.
I know. I just throw that texture to the plank to dress up that scene.
I'll have to work on the floor a bit more.

> 
> You can almost feel the fuzy bear.
> 
> --
> #macro Q(A,E,W)box{-A/2,A/2pigment{rgb 9*W}translate E*A+W/1000}#end#macro
> M(D,E)#local A=1/pow(3,D);#if(D<3)#local C=D+1;union{M(C,1)M(C,x+y)M(C,x+z)
> M(C,y+z)M(C,x+y-z)M(C,x+z-y)M(C,y+z-x)M(C,x-y)M(C,z-x)M(C,y-z)M(C,y-x)M(C,
> x-z)M(C,z-y)M(C,x-y-z)M(C,y-x-z)M(C,z-x-y)translate A*E}#else Q(A,E,x)Q(A,E
> ,y)Q(A,E,z)#end#end union{M(0,0)rotate<45,145,0>translate z*2}//Andrew
> 
>

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