Norbert Kern wrote:
> 
> two possibilities:
> 
> 1.  white text object on a white plane, no lights, radiosity and then colors
> inverted.

No, this would lead to much brighter parts between the characters.

> 
> 2. two text objects above a plane. One with ambient greater zero and
> rendered with radiosity
> 

Nearly right, it's an intersection of a black text object and a high
ambient plane
above a diffuse finish plane.

Of course this is even slower than the proximity stuff.

Christoph

-- 
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