|
|
|
|
|
|
| |
| |
|
|
|
|
| |
| |
|
|
On Sun, 13 Jun 2010 17:18:37 +0200, Dave Blandston <nomail@nomail> wrote:
> The image looks great. I'm amazed that the leaves and petals are
> hand-coded!
> They are really impressive.
Thanks. I used a prism object texture to make the jagged edges of the
leaves. I think all the years of drawing beziers in CorelDraw have givin
me the ability to "imagine" how to do the bezier patches.
>
> I'm afraid to suggest any changes since this is the final version,
> but... It
> might add an element of realism to put some cracks in the alley for the
> weeds to
> grow out of... Just a thought...
>
I would prefer it to actually look like it's completed :)
There are cracks I guess I am so used to the image, so I cannot see it as
anyone else would see it. The weeds are only in places where there is soil.
> Good luck with your painting.
Thanks.
>
> Regards,
> Dave Blandston
>
>
--
-Nekar Xenos-
"The spoon is not real"
Post a reply to this message
|
|
| |
| |
|
|
|
|
| |
| |
|
|
Nekar Xenos wrote:
> Comments welcome.
It needs a tear.
--
Darren New, San Diego CA, USA (PST)
Eiffel - The language that lets you specify exactly
that the code does what you think it does, even if
it doesn't do what you wanted.
Post a reply to this message
|
|
| |
| |
|
|
|
|
| |
| |
|
|
On Sun, 13 Jun 2010 20:14:05 +0200, Darren New <dne### [at] sanrrcom> wrote:
> Nekar Xenos wrote:
>> Comments welcome.
>
> It needs a tear.
>
Strange, when I first read your comment I thought you meant a tear(crack)
in the asphalt. Then I realised you probably meant a teardrop on the
sunflower. Although that would be indistinguishable from a dew-drop. Or
maybe you meant both ;)
--
-Nekar Xenos-
"The spoon is not real"
Post a reply to this message
|
|
| |
| |
|
|
|
|
| |
| |
|
|
On 13/06/2010 7:14 PM, Darren New wrote:
> Nekar Xenos wrote:
>> Comments welcome.
>
> It needs a tear.
>
What it really needs is two flower-pot men. ;-)
And no I don’t expect anyone other than Dr John to get it.
Brill image btw.
--
Best Regards,
Stephen
Post a reply to this message
|
|
| |
| |
|
|
|
|
| |
| |
|
|
On Sun, 13 Jun 2010 23:13:29 +0200, Stephen <mca### [at] aoldotcom> wrote:
> On 13/06/2010 7:14 PM, Darren New wrote:
>> Nekar Xenos wrote:
>>> Comments welcome.
>>
> Brill image btw.
>
Thanks!
--
-Nekar Xenos-
"The spoon is not real"
Post a reply to this message
|
|
| |
| |
|
|
|
|
| |
| |
|
|
It has become an impressive image indeed. Excellent work.
Thomas
Post a reply to this message
|
|
| |
| |
|
|
|
|
| |
| |
|
|
"Nekar Xenos" <nek### [at] gmailcom> wrote:
> I used +a0.1 for anti-aliasing, but the contrast between the bright
> background and the shadow side of the building seems to prevent proper
> anti-aliasing.
For future reference, megapov's Clip_Colors macro can take care of this problem:
http://megapov.inetart.net/manual-1.2.1/megapov0121.html#tone_mapping.inc
Lovely image though, the high-contrast photographic effect really lends realism!
Bill
Post a reply to this message
|
|
| |
| |
|
|
|
|
| |
| |
|
|
On Mon, 14 Jun 2010 09:13:19 +0200, Thomas de Groot
<tDOTdegroot@interdotnlanotherdotnet> wrote:
> It has become an impressive image indeed. Excellent work.
>
> Thomas
>
>
Thanks!
-Nekar Xenos-
Post a reply to this message
|
|
| |
| |
|
|
|
|
| |
| |
|
|
On Mon, 14 Jun 2010 10:35:53 +0200, Bill Pragnell
<bil### [at] hotmailcom> wrote:
> "Nekar Xenos" <nek### [at] gmailcom> wrote:
>> I used +a0.1 for anti-aliasing, but the contrast between the bright
>> background and the shadow side of the building seems to prevent proper
>> anti-aliasing.
>
> For future reference, megapov's Clip_Colors macro can take care of this
> problem:
> http://megapov.inetart.net/manual-1.2.1/megapov0121.html#tone_mapping.inc
>
> Lovely image though, the high-contrast photographic effect really lends
> realism!
>
> Bill
>
>
Thanks!
I'll keep MegaPov in mind next time :)
-Nekar Xenos-
Post a reply to this message
|
|
| |
| |
|
|
|
|
| |
| |
|
|
"Nekar Xenos" <nek### [at] gmailcom> wrote:
> Comments welcome.
It looks good! Too bad about the aa problems, though.
Post a reply to this message
|
|
| |
| |
|
|
|
|
| |