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This is my final render of the Eavesdropping scene. Radiosity is used, as
well as Lightsys, and a number of things have been changed since the last
wip. I rendered is two passes. For the second one, I subdivided the image in
twenty tiles of 100x400 pixels and rendered those separately (render time
for each between 1 and 2 hours) and reassembled the image gradually. The
only reason I did this was to use my PC more efficiently and not have to
reparse the whole image each time after I would restart the render.
This final version could probably use a somewhat finer aa and radiosity
settings. However, I am content with the image as is and want to go on with
other scenes.
Nonetheless, comments are always welcome of course!
Thomas
Post a reply to this message
Attachments:
Download 'Eavesdropping final.jpg' (109 KB)
Preview of image 'Eavesdropping final.jpg'

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"Thomas de Groot" <t.d### [at] inter nlDOTnet> wrote:
> However, I am content with the image as is and want to go on with
> other scenes.
>
I would be content if I had rendered this too. :-)
It is really good and I like where you have put Cathy and her wee brother.
They now add to the scene rather than distract.
Stephen
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Very good work, I specially like everything... :)
BTW, I'm really waiting for your next scene!
--
Jaime
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"Thomas de Groot" <t.d### [at] inter nlDOTnet> a écrit dans le message de
news: 46d42a2c@news.povray.org...
>
> Nonetheless, comments are always welcome of course!
>
Astounding!
Now you're done with the cover, you just have to write the novel ;-)
Marc
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"Thomas de Groot" <t.d### [at] inter nlDOTnet> wrote in message
news:46d42a2c@news.povray.org...
> This is my final render of the Eavesdropping scene. Radiosity is used, as
> well as Lightsys, and a number of things have been changed since the last
> wip. I rendered is two passes. For the second one, I subdivided the image
> in twenty tiles of 100x400 pixels and rendered those separately (render
> time for each between 1 and 2 hours) and reassembled the image gradually.
> The only reason I did this was to use my PC more efficiently and not have
> to reparse the whole image each time after I would restart the render.
> This final version could probably use a somewhat finer aa and radiosity
> settings. However, I am content with the image as is and want to go on
> with other scenes.
I really must explore lightsys as I haven't done as well with lighting as
I'd like. I've come to realize that proper lighting is probably the biggest
contributor to overall scene quality. You've done a fantastic job! I
especially like how some of the objects and people are partly in light and
partly in shadow.
Jim
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It's a great scene, congratulations!!!
The column shadow that slashes across the middle of the screen has still
edges that are blurrier than the others. ;-)
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It looks fantastic Thomas! I think the lighting is really great on this one.
And a very nice job on all those clothes. :)
Janet
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"Grassblade" <nomail@nomail> schreef in bericht
news:web.46d48ae38fd31a74eb7721c00@news.povray.org...
> It's a great scene, congratulations!!!
Thank you!!
>
> The column shadow that slashes across the middle of the screen has still
> edges that are blurrier than the others. ;-)
That is also what you see in RL. Look at the shadow of a tree in sunshine:
the shadow is sharpest at the base of the tree and gets more diffuse towards
the end of the shadow.
In this image there is an interplay between soft shadows (from more distant
columns) and - for instance - the sharp shadow of the package in the middle
ground.
Thomas
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"Janet" <par### [at] att net> schreef in bericht
news:web.46d4e4788fd31a74591136770@news.povray.org...
> It looks fantastic Thomas! I think the lighting is really great on this
> one.
> And a very nice job on all those clothes. :)
>
Thank you Janet!
An interesting point with dynamic clothes is that you can use them
indiscriminately (almost) with different figures with different morphologies
and with minimal effort. So, the same shalwar (trousers) is used for
Iskander hiding behind the column, Adamastor talking to the Rais, and the
boy half hid behind the wall. That could not be done as easily with
conforming clothes I think. Only for the Rais, who is suffering from a bit
of obesity, did I make a different garment :-)
Thomas
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"Jim Holsenback" <jho### [at] hotmail com> schreef in bericht
news:46d457cc@news.povray.org...
>
> I really must explore lightsys as I haven't done as well with lighting as
> I'd like. I've come to realize that proper lighting is probably the
> biggest contributor to overall scene quality. You've done a fantastic job!
> I especially like how some of the objects and people are partly in light
> and partly in shadow.
>
Thank you indeed :-)
Yes, lighting is extremely important and, deriving from that, the way
objects and figures interact with the light. Sometimes it comes easily, but
generally I spend a lot of time to arrange things to my liking. In this
particular case, I believe the lighting contributes a lot to the dramatic
effect. I have been a fanatic amateur Black/White photographer for many
years in the past and it learned me a lot about light.
Thomas
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"M_a_r_c" <jac### [at] wanadoo fr> schreef in bericht
news:46d442b5$1@news.povray.org...
>
> "Thomas de Groot" <t.d### [at] inter nlDOTnet> a écrit dans le message de
> news: 46d42a2c@news.povray.org...
>>
>> Nonetheless, comments are always welcome of course!
>>
> Astounding!
Thank you Marc :-)
> Now you're done with the cover, you just have to write the novel ;-)
I have pieces of story playing through my mind. I am afraid however, that
like Gille's Livre des Commencements, the bits and pieces will remain
tantalizingly unfinished :-)
Thomas
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"Jaime Vives Piqueres" <jai### [at] ignorancia org> schreef in bericht
news:46d43c38$1@news.povray.org...
> Very good work, I specially like everything... :)
>
> BTW, I'm really waiting for your next scene!
>
Thank you very much indeed, Jaime!
The next scene(s) will arrive in due time. Different pots are cooking at
this moment.
One thing I am sure you can help me with is this: How can you change the
horizon color in Lightsys? I have looked through the files but could not
really make sense of the item. I suppose that it is not only the result of
the interaction between the light and the skysphere.
In my image, the effect (which I like btw) has been a bit increased by the
fact that I gave the ground fog the same color as the horizon.
Thomas
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"Stephen" <mcavoys_AT_aolDOT.com> schreef in bericht
news:web.46d4382d8fd31a74c4e49fa40@news.povray.org...
> "Thomas de Groot" <t.d### [at] inter nlDOTnet> wrote:
>> However, I am content with the image as is and want to go on with
>> other scenes.
>>
>
> I would be content if I had rendered this too. :-)
Thank you indeed, Stephen!!
>
> It is really good and I like where you have put Cathy and her wee brother.
> They now add to the scene rather than distract.
Yes, and thank you for bringing the point forward. That empty corner had
been nagging me for a long time and I am happy with the result now.
Thomas
[PS/o.t.: back to New Mars now...]
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"Thomas de Groot" <t.d### [at] inter nlDOTnet> wrote:
>
> [PS/o.t.: back to New Mars now...]
New Mars? Have I missed something?
Stephen
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"Stephen" <mcavoys_AT_aolDOT.com> schreef in bericht
news:web.46d531468fd31a74c4e49fa40@news.povray.org...
> "Thomas de Groot" <t.d### [at] inter nlDOTnet> wrote:
>
>>
>> [PS/o.t.: back to New Mars now...]
>
> New Mars? Have I missed something?
>
No :-) Just reading on in The Stone Canal...
Thomas
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"Thomas de Groot" <t.d### [at] inter nlDOTnet> wrote:
> "Stephen" <mcavoys_AT_aolDOT.com> schreef in bericht
> news:web.46d531468fd31a74c4e49fa40@news.povray.org...
> > "Thomas de Groot" <t.d### [at] inter nlDOTnet> wrote:
> >
> >>
> >> [PS/o.t.: back to New Mars now...]
> >
> > New Mars? Have I missed something?
> >
>
> No :-) Just reading on in The Stone Canal...
>
> Thomas
Duh! <blush> I knew it sounded familiar
Stephen
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Another great image from yourself Thomas. Well worth following the progress,
and well worth seeing the end result. :)
~Steve~
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From: Jaime Vives Piqueres
Subject: Re: Eavesdropping - final [~110kB]
Date: 30 Aug 2007 03:42:34
Message: <46d674ea@news.povray.org>
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Thomas de Groot wrote:
> One thing I am sure you can help me with is this: How can you change the
> horizon color in Lightsys? I have looked through the files but could not
> really make sense of the item. I suppose that it is not only the result of
> the interaction between the light and the skysphere.
> In my image, the effect (which I like btw) has been a bit increased by the
> fact that I gave the ground fog the same color as the horizon.
Well, the expert here would be Philippe Debar, but AFAIK, the horizon
color is the result of the skylight simulation: it changes automatically
depending on the sky conditions (azimuth, altitude, turbidity, etc...), so
you can't alter the final color without changing somewhat the whole
implementation.
BTW, I almost only use it for the same purpose you stated: ground fog.
--
Jaime
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"Jaime Vives Piqueres" <jai### [at] ignorancia org> schreef in bericht
news:46d674ea@news.povray.org...
>
> Well, the expert here would be Philippe Debar, but AFAIK, the horizon
> color is the result of the skylight simulation: it changes automatically
> depending on the sky conditions (azimuth, altitude, turbidity, etc...), so
> you can't alter the final color without changing somewhat the whole
> implementation.
Yes, this is what I thought. In fact, that is excellent! Thank you for
confirming this.
>
> BTW, I almost only use it for the same purpose you stated: ground fog.
Indeed. It makes a perfect match.
Thomas
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"St." <dot### [at] dot com> schreef in bericht news:46d5a16c$1@news.povray.org...
> Another great image from yourself Thomas. Well worth following the
> progress, and well worth seeing the end result. :)
>
Thank you indeed, Steve!
There is a lot to learn from the comments on progress images and one should
not be shy to show imperfect and unfinished work (Hear! Hear!). Most of my
achievements have come through comments on this forum. For which I thank
everybody :-)
Thomas
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This really is excellent.
I appreciate your comments about moving forwards from comments on WIP
images, but I feel I've missed out on the impact that this amazing final
version will have on the newcomer. It reminds me of how film trailers show
all the most spectacular bits, or indeed major plot twists... ;-)
That sentiment aside, I especially like the final poses and clothing - small
differences, some might say, but worth every man-hour. Great work, I too
look forward to your next creation!
Bill
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"Bill Pragnell" <bil### [at] hotmail com> schreef in bericht
news:web.46d68fd78fd31a74731f01d10@news.povray.org...
> This really is excellent.
Thank you Bill!!!
>
> I appreciate your comments about moving forwards from comments on WIP
> images, but I feel I've missed out on the impact that this amazing final
> version will have on the newcomer. It reminds me of how film trailers show
> all the most spectacular bits, or indeed major plot twists... ;-)
I believe you have a point there. However, it is rather unavoidable, isn't
it? Especially in an image like this where wips for the temple for instance
go back at least 4 years, and 1 year for the first figures version. It
certainly is true that one tends to forget that each image starts rather
schematically, and that is not always shown. I generally keep an example
image during the creation process of each relevant phase, but that has more
an archive value of the creation process than an 'educative' one.
>
> That sentiment aside, I especially like the final poses and clothing -
> small
> differences, some might say, but worth every man-hour. Great work, I too
> look forward to your next creation!
Thank you again. I admit that I enjoy Poser and its possibilities, and it so
happens that it corresponds nicely with my personal aspirations in the kind
of scenes I want to create. It is a very, very long-time aspiration that is
finally emerging now.
Thomas
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An epic composition. Wonderful in many ways, including failing to trigger
one of my pet peeves by actually using semi-transparent water.
"Thomas de Groot" <t.d### [at] inter nlDOTnet> wrote:
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"gregjohn" <pte### [at] yahoo com> schreef in bericht
news:web.46d6b61f8fd31a7434d207310@news.povray.org...
> An epic composition. Wonderful in many ways, including failing to trigger
> one of my pet peeves by actually using semi-transparent water.
>
Thank you!
Forgive my ignorance: what is this pet peeves...?
Thomas
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"Thomas de Groot" <t.d### [at] inter nlDOTnet> wrote:
> "gregjohn" <pte### [at] yahoo com> schreef in bericht
> news:web.46d6b61f8fd31a7434d207310@news.povray.org...
> > An epic composition. Wonderful in many ways, including failing to trigger
> > one of my pet peeves by actually using semi-transparent water.
> >
>
> Thank you!
> Forgive my ignorance: what is this pet peeves...?
>
> Thomas
A Peeve is something that anoys you. And a Pet Peeve is a Peeve that lives
with you :-)
Stephen
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"Stephen" <mcavoys_AT_aolDOT.com> schreef in bericht
news:web.46d6e1b28fd31a74c4e49fa40@news.povray.org...
> A Peeve is something that anoys you. And a Pet Peeve is a Peeve that lives
> with you :-)
>
Oh dear! I hope it is not contagious?? :-)
Thomas
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"Thomas de Groot" <t.d### [at] inter nlDOTnet> wrote:
> "Stephen" <mcavoys_AT_aolDOT.com> schreef in bericht
> news:web.46d6e1b28fd31a74c4e49fa40@news.povray.org...
> > A Peeve is something that anoys you. And a Pet Peeve is a Peeve that lives
> > with you :-)
> >
>
> Oh dear! I hope it is not contagious?? :-)
>
> Thomas
No! Everyone’s given a set at birth but not all of them develop into mature
Peeves. Some grow into full blown Scunners.
Another tale from the land o’ the Wee People :-)
Stephen
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> Another tale from the land o' the Wee People :-)
Reminds me of Xanth. Very entertaining that land of puns.
http://www.amazon.com/Pet-Peeve-Xanth-Piers-Anthony/dp/0765343118/ref=pd_bbs_sr_1/103-0448289-0361402?ie=UTF8&s=books&qid=1188553217&sr=8-1
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"Tim Attwood" <tim### [at] comcast net> wrote:
> > Another tale from the land o' the Wee People :-)
> Reminds me of Xanth. Very entertaining that land of puns.
>
http://www.amazon.com/Pet-Peeve-Xanth-Piers-Anthony/dp/0765343118/ref=pd_bbs_sr_1/103-0448289-0361402?ie=UTF8&s=books
&qid=1188553217&sr=8-1
So it does, I don’t think that I’ve read that one, I lost track a few years
ago.
Stephen
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"Stephen" <mcavoys_AT_aolDOT.com> schreef in bericht
news:web.46d7ca588fd31a74c4e49fa40@news.povray.org...
>
> No! Everyone's given a set at birth but not all of them develop into
> mature
> Peeves. Some grow into full blown Scunners.
>
> Another tale from the land o' the Wee People :-)
>
Well... that's something I have been totally unaware of :-)
Thomas
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Thomas de Groot wrote:
>
Come on. This is worth a larger, better AA render. Don't leave it just yet.
The kids take away from it, IMO, but a very nice picture.
-Shay
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"Shay" <shay@s.s> schreef in bericht news:46d82467@news.povray.org...
>
> Come on. This is worth a larger, better AA render. Don't leave it just
> yet.
Yes I know, and I mentioned it too. :-(
I probably shall do one later, but for now I want to concentrate first on
some other work. I don't like to have the machine working overnight, so that
I can keep an eye on the progress and interfere at once when necessary.
>
> The kids take away from it, IMO, but a very nice picture.
Well, it is a matter of taste I think. Personally, I do like them there.
Thanks by the way, for your always much appreciated comments!
Thomas
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Thomas de Groot wrote:
>> Shay:
>> The kids take away from it, IMO, but a very nice picture.
> Well, it is a matter of taste I think. Personally, I do like
> them there.
Yes, a matter of taste. For the purpose of discussion, I'll expand just
a bit on my tastes and what I mean by "take away from it."
I have a problem with most big-budget films. A massive audience is
required to make back the money spent on these films. This massive
audience is too often built by designing big-budget films to attract
several disparate groups. Therefore, where a small independent film
might be about a Iskander's discovery of a valuable piece of
information, the big budget counterpart would be about Iskander's
discovery of a valuable piece of information; a crusty-but-benign police
lieutenant who's always getting heat from the commissioner; a
hard-nosed, hard-drinking detective who thinks women belong in the
kitchen; the brilliant and beautiful young girl cop who's fighting the
feminist battle on the force; a hair raising boat chase; and two "gosh
darn kids" who foil an evil plot against Iskander.
Looking at your picture, I am intensely interested in what information
Iskander is hearing and to what use he will put it. I know the kids are
part of the story and dread the point at which the plot will shift away
to their role in events. For the same reason, I can't watch a movie like
"Braveheart" or "The Patriot" more than once - too uneven in tone. Some
love these types of laugh-cry-cheer-sigh epic movies. Yes, a matter of
taste.
-Shay
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Thomas de Groot wrote:
> This is my final render of the Eavesdropping scene.
Beautiful scene Thomas. Artists capable of full-fledged, complex scenes
are not extinct afterall! It's quite an accomplishment. And you have
updated the enterprise to include the latests techniques available in
Poser.
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Shay wrote:
> Thomas de Groot wrote:
>
>>> Shay:
>>> The kids take away from it, IMO, but a very nice picture.
>
>> Well, it is a matter of taste I think. Personally, I do like
>> them there.
>
> Yes, a matter of taste. For the purpose of discussion, I'll expand just
> a bit on my tastes and what I mean by "take away from it."
>
> I have a problem with most big-budget films. A massive audience is
> required to make back the money spent on these films. This massive
> audience is too often built by designing big-budget films to attract
> several disparate groups. Therefore, where a small independent film
> might be about a Iskander's discovery of a valuable piece of
> information, the big budget counterpart would be about Iskander's
> discovery of a valuable piece of information; a crusty-but-benign police
> lieutenant who's always getting heat from the commissioner; a
> hard-nosed, hard-drinking detective who thinks women belong in the
> kitchen; the brilliant and beautiful young girl cop who's fighting the
> feminist battle on the force; a hair raising boat chase; and two "gosh
> darn kids" who foil an evil plot against Iskander.
>
> Looking at your picture, I am intensely interested in what information
> Iskander is hearing and to what use he will put it. I know the kids are
> part of the story and dread the point at which the plot will shift away
> to their role in events.
Interesting, I didn't assume that the kids would be part of the story.
For me their presence enhances the sense or naturality. Without them it
would be a stealth meeting at a time when nobody else is there or at a
deserted place, and someone spying in the first degree. With them it is
just some scene in a busy harbour and someone, possibly even
accidentally, listening in.
> For the same reason, I can't watch a movie like
> "Braveheart" or "The Patriot" more than once - too uneven in tone. Some
> love these types of laugh-cry-cheer-sigh epic movies. Yes, a matter of
> taste.
>
> -Shay
BTW, Thomas I like this scene with all its attention to details. I
didn't respond earlier because I though I had nothing to add to the
others. Now it is the 'final' one I should perhaps express my appreciation.
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"Shay" <shay@s.s> schreef in bericht news:46d844e5$1@news.povray.org...
>
> Yes, a matter of taste. For the purpose of discussion, I'll expand just
> a bit on my tastes and what I mean by "take away from it."
>
> I have a problem with most big-budget films. A massive audience is
> required to make back the money spent on these films. This massive
> audience is too often built by designing big-budget films to attract
> several disparate groups. Therefore, where a small independent film
> might be about a Iskander's discovery of a valuable piece of
> information, the big budget counterpart would be about Iskander's
> discovery of a valuable piece of information; a crusty-but-benign police
> lieutenant who's always getting heat from the commissioner; a
> hard-nosed, hard-drinking detective who thinks women belong in the
> kitchen; the brilliant and beautiful young girl cop who's fighting the
> feminist battle on the force; a hair raising boat chase; and two "gosh
> darn kids" who foil an evil plot against Iskander.
>
> Looking at your picture, I am intensely interested in what information
> Iskander is hearing and to what use he will put it. I know the kids are
> part of the story and dread the point at which the plot will shift away
> to their role in events. For the same reason, I can't watch a movie like
> "Braveheart" or "The Patriot" more than once - too uneven in tone. Some
> love these types of laugh-cry-cheer-sigh epic movies. Yes, a matter of
> taste.
>
I fully agree with what you say. More, I feel exactly like you! :-)
However, in the present scene, the kids are part of the story's 'landscape',
not of the plot. In another scene I have in mind, they will reappear, but
again, only as witnesses of something going on, in the same way that the
'observer' (you, me) is a witness to the action.
Thomas
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"andrel" <a_l### [at] hotmail com> schreef in bericht
news:46D### [at] hotmail com...
>
> Interesting, I didn't assume that the kids would be part of the story. For
> me their presence enhances the sense or naturality. Without them it would
> be a stealth meeting at a time when nobody else is there or at a deserted
> place, and someone spying in the first degree. With them it is just some
> scene in a busy harbour and someone, possibly even accidentally, listening
> in.
Yes, that is the idea.
>
> BTW, Thomas I like this scene with all its attention to details. I didn't
> respond earlier because I though I had nothing to add to the others. Now
> it is the 'final' one I should perhaps express my appreciation.
Thank you indeed, Andrel. I am glad you like it :-)
Thomas
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"Jim Charter" <jrc### [at] msn com> schreef in bericht
news:46d85954$1@news.povray.org...
> Thomas de Groot wrote:
>> This is my final render of the Eavesdropping scene.
>
> Beautiful scene Thomas. Artists capable of full-fledged, complex scenes
> are not extinct afterall! It's quite an accomplishment. And you have
> updated the enterprise to include the latests techniques available in
> Poser.
Oh, thank you indeed, Jim! Your words make me think of the great epic
paintings so representative of the 19th century (Delacroix for instance, and
the Orientalism-oriented school; and not to forget: Ilya Repin or the
Wyeth's). I certainly cannot deny humble inspiration from those and later
artists. After all, they are part of the cultural substrate with which I was
brought up. As well, I should say, as some literary sources, one of which
is - I have the impression - mostly forgotten nowadays: Wilhelm Hauff.
I think I have said this already somewhere, but Poser has been a revelation
to me, giving me the tools I needed to give life to scenes that have haunted
me since my youth. I am a poor drawer, and even worse painter, but with
POV-Ray, Poser, and a couple of other fantastic tools, I am able to overcome
that :-)
Thomas
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Just thought I'd drop by to say I really like this Thomas, well done!
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"scam" <sca### [at] mail usyd edu au> schreef in bericht
news:web.46da3bfc8fd31a74e43b92be0@news.povray.org...
> Just thought I'd drop by to say I really like this Thomas, well done!
>
Thank you indeed! Much appreciated.
Thomas
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