For the sea, I adapted some "realistic water" techniques
from Christoph Hormann's POV-Ray pages.

Here is the link:

http://www-public.tu-bs.de:8080/~y0013390/pov/water/

The pigment for the water is:

color rgb 1 filter 1

The blue color comes entirely from reflecting the sky.

Aaron





"Chris Johnson" <chr### [at] chris-jcouk> wrote in message
news:3f4741ed@news.povray.org...
> The textured one, as you say, looks much better. I think this is mainly
> because the irregularities of the pigment help to disguise the triangular
> artifacts on the untextured image. Nice sea btw - how did you do it?
>
> The posts that I have made in Noe's thread about 16-bit height-fields
apply
> here to a certain extent, but as you have used a quite steep slopes and
> quite low-resolution height fields, they're not so obvious.
>
> The attached image shows the same heightfield at a 255x255 (left) and
16x16
> (right). In the high-resolution image, because of the small gradient,
> several adjacent pixels of the heighfield are the same colour, then it
> sudenly jumps to the a colour one brighter, leaving ridges of one colour
and
> planes of another (due to there being only two angles of slope: flat, or

> when there is an increase). This is an artifact of using an 8-bit
> heightfield
>
> On the right hand image, the resolution of the height-field is low enough
> for there to be several steps in height for each horizontal step of the
> height-field, so the steps no longer occur and the image appears smoother.
> Its just a pain that 16-bit images aren't supported well by most image
> editing programs.
>
> Of course, small details cannot be reproduced in the low-resolution
> version - to avoid this problem altogether, a 16-bit heightfield means
that
> with even high-resolution height map, there are always several vertical
> steps per pixel, so the artifacts do not appear.
>
> -Chris
>
>
>

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