Remco de Korte wrote:
> A trick I read somewhere that isn't really realistic but works quite
> nice is to put some extra blue in the light opposite to the main light
> source. It's supposedly what Hollywood does (whatever that is...).

Yes, I remember reading about the making of Riven that is just 
about precisely what Cyan did for their outdoor renderings in 
Riven: one main light for the sun, then one or two low intensity 
blue lights to soften the shadows with simulated atmospheric 
diffusion. Seemed to produce very believable sunlit scenes. 

Charles

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