Thanks again all,

>And when the contest is over, perhaps you can write a tutorial.  Many of us would be
very grateful.
If I can, because I'm afraid that I have any talent to be a good teacher.
But why not ? I could try.

>Your English is fine, no problems understanding what you're saying over here
Thanks Florian, you're indulgent with me. My Harrap's Shorter dictionary is
always near of me !

>If you're going to do a mirror, it would be a good opportunity to model a period
mirror with all its flaws and imperfe
ctions
Maybe an idea to test.

>maybe i think with a computer it should be easier, it seems it isn't
>maybe one day, i'll understand how to do a gravel path or a cloud
Computer just gives us another pain.   :-(

>I'd thought there was a similar painting.  So I had a look at this one:
> http://www.metmuseum.org/toah/hd/verm/hob_1979.396.1.htm
Thanks Jim, I know this study (tronie). Very beautiful carnation and very
*Spanish* look for me. But I prefer the *Earring* which is more mysterious
(mystical) and modern too, also for the free touch.

>This lead to the curious experience of seeing all the museum's Rembrandts hanging on
a temporary wall colored the most
 saturated possible industrial blue.
Certainly a simultaneous contrast experience !! ;-))


Rene
(the old newbie)

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