Version 2

Still need to do the lights and add some water around the fish and
perhaps a subtle normal to the wall.

The fish is a poser model and the pictures in the frames were created
in vue d'espirit

Comments?

Gail
--
#macro G(H,S)disc{0z.4pigment{onion color_map{[0rgb<sin(H/pi)cos(S/pi)*(H<6)
cos(S/pi)*(H>6)>*18][.4rgb 0]}}translate<H-5S-3,9>}#end G(3,5)G(2,5.5)G(1,5)
G(.6,4)G(.5,3)G(.6,2)G(1,1)G(2,.5)G(3,.7)G(3.2,1.6)G(3.1,2.5)G(2.2,2.5)G(9,5
)G(8,5.5)G(7,5)G(7,4)G(7.7,3.3)G(8.3,2.7)G(9,2)G(9,1)G(8,.5)G(7,1)//GS

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Attachments:
Download 'Painting.jpg' (52 KB)

Preview of image 'Painting.jpg'

<envy-suppressing mode>

Your concept keeps getting better and better.

That said, two comments: the surface of the water (ripples) seems too
regular, and could use some water drops emerging as the fish passes. Also,
did you try ro get parto of the fish tail to be inside the painting? I don't
even know if such is possible, but I believe that the emerging effect would
be improved if such was possible.

Keep up the good work.

Ruy

</envy-suppressing mode>

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Ruy <ruy### [at] hipernetcombr> wrote in message news:3c5ab2ab@news.povray.org...
> <envy-suppressing mode>
>
> Your concept keeps getting better and better.
>
> That said, two comments: the surface of the water (ripples) seems too
> regular, and could use some water drops emerging as the fish passes. Also,
> did you try ro get parto of the fish tail to be inside the painting? I don't
> even know if such is possible, but I believe that the emerging effect would
> be improved if such was possible.
>
> Keep up the good work.
>
> Ruy
>
> </envy-suppressing mode>
>
>

And a splash in the water from the fish breaking the surface.
That would add to the effect I think.


--
Tom Bates
#macro T(B)#local m=mod(B,8);#local B=floor(B/8);m#end#local C=126981491245202;#
local D=115694168992822;sphere_sweep{b_spline 16#local i=0;#while(i<16)<T(C)-4,T
(D)-4,10-i/10>.1#local i=i+1;#end pigment{rgb 1}}light_source{-10,1} //Tom Bates

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Very nice. Definately needs water splashing and if
you can bend the fishes tail it might give it a little
more life.

-- 
Phil
Behold, for I am the keeper of the sacred coffee brewing method.

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On Fri, 1 Feb 2002 16:24:51 +0200, Gail Shaw wrote:
> Version 2
> 
> Still need to do the lights and add some water around the fish and
> perhaps a subtle normal to the wall.

How about some leaves of one of the trees sticking out too. 

The fish jumping out is a great idea, how about a goldfish bowl on top 
of that pedestal instead of the fractal, and a small goldfish inside it.

--
#local i=.1;#local I=(i/i)/i;#local l=(i+i)/i;#local ll=(I/i)/l;box{<-ll,
-((I/I)+l),-ll><ll,-l,ll>pigment{checker scale l}finish{ambient((I/l)/I)+
(l/I)}}sphere{<i-i,l-l,(I/l)>l/l pigment{rgb((I/l)/I)}finish{reflection((
I/l)/I)-(l/I)specular(I/l)/I}}light_source{<I-l,I+I,(I-l)/l>l/l} // Steve

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Or a goldfish painting floating just under the surface in the bowl... kinda
like a reverse of roles.  yin yang

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Gail Shaw wrote:

> Version 2
> 
> Still need to do the lights and add some water around the fish and
> perhaps a subtle normal to the wall.
> 
> The fish is a poser model and the pictures in the frames were created
> in vue d'espirit
> 
> Comments?
> 
> Gail
> --
> #macro G(H,S)disc{0z.4pigment{onion color_map{[0rgb<sin(H/pi)cos(S/pi)*(H<6)
> cos(S/pi)*(H>6)>*18][.4rgb 0]}}translate<H-5S-3,9>}#end G(3,5)G(2,5.5)G(1,5)
> G(.6,4)G(.5,3)G(.6,2)G(1,1)G(2,.5)G(3,.7)G(3.2,1.6)G(3.1,2.5)G(2.2,2.5)G(9,5
> )G(8,5.5)G(7,5)G(7,4)G(7.7,3.3)G(8.3,2.7)G(9,2)G(9,1)G(8,.5)G(7,1)//GS
> 
> 
> 

Shouldn't the fish be in the image on the wall? :-)

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"Ruy" <ruy### [at] hipernetcombr> wrote in message
news:3c5ab2ab@news.povray.org...
> <envy-suppressing mode>
>
> Your concept keeps getting better and better.

thank you

> That said, two comments: the surface of the water (ripples) seems too
> regular, and could use some water drops emerging as the fish passes.

Painting still needs work.

> Also,
> did you try ro get parto of the fish tail to be inside the painting? I
don't
> even know if such is possible, but I believe that the emerging effect
would
> be improved if such was possible.

The fish tail is part of the painting. the image that's used in the painting
is attached.
Anything is possible (within reason) it's just a case of how much time you
are
willing to spend. Aligning the fish model with the picture so that it looks
like one
fish took the better part of two days of tweak and render.

Gail
--
#macro G(H,S)disc{0z.4pigment{onion color_map{[0rgb<sin(H/pi)cos(S/pi)*(H<6)
cos(S/pi)*(H>6)>*18][.4rgb 0]}}translate<H-5S-3,9>}#end G(3,5)G(2,5.5)G(1,5)
G(.6,4)G(.5,3)G(.6,2)G(1,1)G(2,.5)G(3,.7)G(3.2,1.6)G(3.1,2.5)G(2.2,2.5)G(9,5
)G(8,5.5)G(7,5)G(7,4)G(7.7,3.3)G(8.3,2.7)G(9,2)G(9,1)G(8,.5)G(7,1)//GS

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Attachments:
Download 'Pond.jpg' (17 KB)

Preview of image 'Pond.jpg'

"Phil Clute" <pcl### [at] tiacnet> wrote in message
news:3C5### [at] tiacnet...
> Very nice. Definately needs water splashing and if
> you can bend the fishes tail it might give it a little
> more life.

It's as bent as I can. The poser model's not very good and
angles larger than I have make it look broken :-<

Gail
--
#macro G(H,S)disc{0z.4pigment{onion color_map{[0rgb<sin(H/pi)cos(S/pi)*(H<6)
cos(S/pi)*(H>6)>*18][.4rgb 0]}}translate<H-5S-3,9>}#end G(3,5)G(2,5.5)G(1,5)
G(.6,4)G(.5,3)G(.6,2)G(1,1)G(2,.5)G(3,.7)G(3.2,1.6)G(3.1,2.5)G(2.2,2.5)G(9,5
)G(8,5.5)G(7,5)G(7,4)G(7.7,3.3)G(8.3,2.7)G(9,2)G(9,1)G(8,.5)G(7,1)//GS

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"Steve" <ste### [at] zeroppsuklinuxnet> wrote in message
news:slr### [at] zero-ppslocaldomain...
> How about some leaves of one of the trees sticking out too.

Sounds good

Gail
--
#macro G(H,S)disc{0z.4pigment{onion color_map{[0rgb<sin(H/pi)cos(S/pi)*(H<6)
cos(S/pi)*(H>6)>*18][.4rgb 0]}}translate<H-5S-3,9>}#end G(3,5)G(2,5.5)G(1,5)
G(.6,4)G(.5,3)G(.6,2)G(1,1)G(2,.5)G(3,.7)G(3.2,1.6)G(3.1,2.5)G(2.2,2.5)G(9,5
)G(8,5.5)G(7,5)G(7,4)G(7.7,3.3)G(8.3,2.7)G(9,2)G(9,1)G(8,.5)G(7,1)//GS

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